Thursday, February 26, 2015

Props/Motivated Lighting for Silent Film

Describe in detail how you will use props in your film to add dramatic value to your silent film, have props function as characters or externalization of character.
Most of the possible "externalization of character" stems from the use of costumes that add certain degrees of flair or ridiculousness (as my lead wears a stereotypical superhero attire, with plenty of wild designs across the spandex). I suppose a common thing associated with superhero costumes would be the large amount of gadgets and tools that accompany the hero. I want to give my aged hero his own signature "lightning bolt" of sorts that he carries around (to try to look threatening I guess).

Describe situations in your film where you will use motivated or unmotivated lighting.
Although lighting doesn't play the largest of roles in my narrative, I could definitely see having a strong motivated lighting scene during the beginning when the lead (out of his super suit) is in his office, dark lit with only a lamp light alongside his desk. He would grab his mask and outfit hung on the wall alongside the desk and as the scene finishes, he'd switch the light off as the scene ends in the pure dark.

Thursday, February 5, 2015

Treatment Form: Silent Film

Working Title: Super Senior
Central Character: Super Senior
Central Character’s Dominant Need: TO SERVE JUSTICE
Other Major Characters:  Robber (antagonist)
Settings: street/school
Occasion / Event: Robbery in place
Major Conflict / Dilemma as it appears in ACTION Super Senior isn't strong enough to stop the robber.
Resolution: Makes him laugh so hard the robber passes out.
How Central Character changes by the end:  Realizes where his true power lies.
Visual Treatment:
  • Color Choices for Filming
  • Warm
  • Cool
  • Vibrant
  • Black & white

Lighting Choices
  • Dramatic
  • Natural
  • Dark
  • Bright
  • Other

SubGenre
  • Horror
  • Slasher
  • Thriller
  • Suspense (not exactly but close enough)
  • B-Movie

Costumes
Normal Clothes
All black (including mask for robber)
Red and Yellow Spandex (for superhero)

Props
Water Gun
Sack


Locations

Catlin/Home/Street Downtown

Reflection of Comedy Scene

1. We were successful in finding a time to film for all 3 of our actors and directors alike during the weekend. It took a long time in order to schedule and prepare for both days we shot, but we were all punctual and productive with that allotted time.
2. Rather than having the directors seek out work, we had some of our friends seek us out because of their interest in participating in "Little Brother". Our cast was rather flexible with the filming location, and willing to drive to any particular place in order to setup base. Each of our actors were willing to take directions and did their best to follow them as they performed.
3. The editing eventually became our biggest challenge, partially because I was still new to the editor we were using at the time. We cut each scene at rather abrupt times, leaving small room for transitions to implement during editing. Due to using a different camera between both days we shot, we had some definite color correcting issues and got a naturally more yellow tint on the second day, which was quite noticeable during editing.
4. We had a number of scenes where there were no particular transitions were able to come in smoothly as said before, I would like to create more scenes that leave less wide gaps between certain actions when filming for the next project(I.E Kyle going to get the parmasean).
If in the next project I were required to film the same scene again a different day, I would try to remember to bring the same camera I did previously, as that let to a large continuity error in our comedy scene.